Auditions for MadLab's Comrades' Christmas Carol will be Saturday, October 12 from 3:30-6pm at MadLab, 227 N. Third St. Columbus, OH 43215.
Roles are non-union and paid a stipend. MadLab utilizes non-traditional casting whenever possible and highly encourages actors of all races, ethnicities, identifying genders, body types and physical abilities to audition. 18+ only.
Show dates are Fridays and Saturdays, December 6-21.
Auditions will consist of cold readings from scripts, but you are also welcome to bring a one-minute prepared monologue if you’d like.
For more information, to sign up, or if you have any other questions, please email ericm@madlab.net. Walk-ins are welcome the day of auditions, any time between 3:30 and 6.
As for the show itself?
After a string of early successes and then a career torpedoed by political machinations, director Maxx Karlsson makes his final stand with a ridiculously radical (radically ridiculous?) reinterpretation of Charles Dickens’ holiday classic as a not-so-covert Communist manifesto.
As if on cue: hilarity, insanity and, yes, tragedy ensue.
Comrades’ is the perfect holiday show for people who don’t like holiday shows. And maybe even more so for those who do.
Comrades’ was originally staged in 1998, and now—as MadLab prepares to enter its fourth decade—it’s time to run amok with the holiday spirit(s) again.
Roles are non-union and paid a stipend. MadLab utilizes non-traditional casting whenever possible and highly encourages actors of all races, ethnicities, identifying genders, body types and physical abilities to audition. 18+ only.
Show dates are Fridays and Saturdays, December 6-21.
Auditions will consist of cold readings from scripts, but you are also welcome to bring a one-minute prepared monologue if you’d like.
For more information, to sign up, or if you have any other questions, please email ericm@madlab.net. Walk-ins are welcome the day of auditions, any time between 3:30 and 6.
As for the show itself?
After a string of early successes and then a career torpedoed by political machinations, director Maxx Karlsson makes his final stand with a ridiculously radical (radically ridiculous?) reinterpretation of Charles Dickens’ holiday classic as a not-so-covert Communist manifesto.
As if on cue: hilarity, insanity and, yes, tragedy ensue.
Comrades’ is the perfect holiday show for people who don’t like holiday shows. And maybe even more so for those who do.
Comrades’ was originally staged in 1998, and now—as MadLab prepares to enter its fourth decade—it’s time to run amok with the holiday spirit(s) again.
